Monday, October 5, 2009

Wedding Anniversary!

Today is LOML's and my second wedding anniversary. Six years together, two years married! (You have to add that 'six years together' bit, don't you?).



Notice that I have aged the photos to represent how very OLD we are now. Also, about two seconds after that central photo was taken, I dropped hors d'oeuvres down my front.

I'm going to be really soppy for a moment and post a poem that I wrote many years ago, when LOML and I first started dating.

cliché

no one has ever felt like this
no one has ever done this before
we are the first

the rain presses its nose against the
window
like
a small boy at a toyshop
breathes on the glass

I haven’t felt this safe since I was
five years old
listening to the rain, thankful I
wasn’t in it, feeling smug about those
who were.

with you my life stops
I dance in the space between the minutes
time dances in the space between the raindrops
without getting wet.

you are my bedtime story;
you are too close to see.

I want you to know

that this rain has fallen for good
each drop is different, and is gone
we splash in the puddles and are lost

until then

no one has ever felt like this
no one has done this before
we are the first.

LOML is at work today, but tonight we are going out to dinner at the restaurant where we had our first date, and then we are going to watch 500 Days of Summer.

Friday, October 2, 2009

Sailors and brain drain

For the past few weeks I have felt like a skimmed stone skipping over water. I have been ticking off endless daily to-do lists and being very productive, but living on the surface, constantly moving, with no time to properly live in the moment. There are lots of reasons for that - perhaps Holy-Cow-It's-October Syndrome has something to do with it? - but I'm more interested in the solutions. I've been a fan of Julia Cameron's The Artist's Way for years, but I have never been very consistent with the writing of Morning Pages (the three pages of longhand, stream-of-consciousness writing that she recommends as a daily tool). Whenever I have used them, I have found them very helpful - more as a way of staying grounded and in-the-moment than as a writing aid. I'd like to try Morning Pages again this week, though, and see if they help.

I used to keep a diary religiously (and the old ones are hilarious to re-read), but now that I write full-time and blog as well, there doesn't seem to be much of the written Andrea left at the end of the day. I suppose writing Morning Pages will be a return to keeping a journal, in some ways, but since they are written before the day starts rather than after the day has ended, they are more of a focusing tool than a personal record of events.

Although I no longer keep a diary, I do lug around a couple of blank books on a daily basis: my day planner and my notebook. These are absolutely essential if I am to live like a functional human being. My brain is a scary place. It is full of debris and space-junk: an endless procession of worries, ideas, rants and ramblings, with a jaunty 'Here be Dragons' or 'No Fishing' notice sticking out here and there. These two little books act like a drain in a particularly messy wound, keeping it clean. (Apologies for the analogy: I have been trying to think of a less disgusting one but, hey, this is the country of Black Sheep and Braindead. We can handle it.) I write absolutely everything in my day planner, no matter how small ("Clean fluff out of pockets - done!"), and it gives me a great sense of satisfaction to tick off the items at the end of the day. If something unexpected came up, I write that down too, purely for the pleasure of ticking it off.

If the day planner is where my organised, adult self lives, the notebook is for my inner two-year-old. It is full of ideas and doodles and little imaginary maps, interspersed with notes on my current project. The handwriting is nowhere near as neat in this one. It has pictures and ticket stubs and receipts tucked into the pages. Eventually it gets so fat and full that it explodes, and then it goes to live in a drawer with its other deceased relatives, and I buy a new one. I find these notebooks immensely satisfying as well.

I sometimes wonder what my notebook and my day planner say to each other when they're alone in my handbag. The day planner probably thinks the notebook is immature and frivolous, and the notebook probably thinks the day planner is stodgy and dull. They don't have much in common. I like to think that they realise they need each other, though, and are friends.

Thursday, October 1, 2009

Tattoo Removal

tattoo removal
By Bart Clive

In the old days tattoos were permanent and if you wanted to get rid of it you could either have it changed to look like something else or learn to live with that decision made under the influence of tequila shots, Jell-O shooters or that hot two week love affair. These days you have a few choices to make on what method to be used to get rid of that tat. Every tattoo has unique characteristics so removal techniques must be tailored to suit each individual case.

Professionally inked tattoos usually penetrate the deeper layers of the skin at more uniform depths. This allows methods that remove broader areas of inked skin at the same depth. Amateurs cannot duplicate the uniformity of depth so homemade tattoos are usually applied at more varying depths making removal more difficult. If you have decided that for some reason, you just gotta get rid of that body art, the choices are:

1. Laser Surgery

2. Intense Pulsed Light

3. Dermabrasion

4. Surgical Excision

5. Salabrasion

6. Removal Creams

7. Cover-up

Laser Surgery

The use of lasers is currently considered the most effective non invasive, bloodless removal alternative. A high-intensity laser beam is targeted on the imbedded ink by a surgeon where he directs high intensity pulses to break up the pigment. The laser is applied with micro-second lasting pulses and it takes about 200 pulses for a small tattoo. The laser energy causes the tattoo pigment to vaporize into smaller particles that are then removed by the body's immune system. Laser surgery is relatively low risk, pain free and effective with the least side effects. Multiple treatments are normally required. Expect to experience minor pain similar to the original tattooing experience. The lasers high energy vaporizing the ink under your skin will cause sensations similar to specs of hot grease. It usually takes more than one treatment which only takes a few minutes.

Intense Pulsed Light

Pulsed Light Therapy is the most recent development in tattoo removal. This method uses high intensity light instead of lasers' to vaporize the ink. After applying a gel a wand is aimed at the tattoo that emits high intensity light pulses. One the plus side this method is less painful and more effective but is much more expensive than laser removal.

Dermabrasion

Basically dermabrasion consist of freezing the removal area of skin and the top layers are sanded off to remove the inked area. This is done with a high speed rotary sanding type device. You will need at least a local or some other type of anesthetic, hey; you are getting your skin sanded off! There will also be some bleeding and a dressing will need to be applied. After the affected area heals the scarring will depend on an individuals own body and what the location on your body the tattoo was on.

Surgical Excision

This removal method is nothing more than having a dermatologic surgeon use a scalpel to remove the inked skin and closing up the wound with stitches. This is ok for small tattoos on certain parts of the body. It is even possible to remove larger areas and graft skin from other parts of the body. Again you will need an anesthetic to numb the area but scaring will be limited to the sutured area and is usually minimal. This method results in the most complete and immediate removal of tattoo ink.

Salabrasion

This is the oldest and crudest tattoo removal technique. I has been used for a few hundred years and is still occasionally used today. Local anesthetic consisting of tap water dipped in table salt is applied on the tattooed area. An abrading device like the one used with dermabrasion, or an even something simpler like a wooden block wrapped with gauze, is used to scrape the area. After the tattooed area gets deep red, it is covered up with bandages to heal. This is the preferred method selected by the biggest and baddest biker dudes and those lucky few who can drive nails through their hands and not feel it. If you are seeking a professional for a tattoo removal and he mentions the word Salabration, see how fast you can find the nearest exit and hope he hasn't already locked the doors.

Tattoo removal creams

Removal creams have varying degrees of success much of which is dependent on the individual tattoo characteristics, depth of ink, type of ink and individuals body chemistry. Before spending a large amount of money for surgery you may want to try a removal cream if you can accept fading as opposed to complete removal.

Cover-up

So you changed your mind and for some reason you just do not like your latest tattoo but don't necessarily want to get rid of it but just change it to something else. A tattoo cover-up job can be much less painful and cheaper alternative to removal. You just gotta find a skilled tattoo artist who can help you redesign the image into something you like and have him do the modifications. It is amazing what a talented artist can do to completely change a tattoo. Just make sure that you find an artist that is experienced in doing this and ask to see pictures of some of his modification jobs.

It doesn't matter what removal method you use there will be some type of scaring or color variations. The most important thing is to consult with a physician that specializes or has extensive experience in removing tattoos. Good luck and remember that the best way to avoid these removal methods is to be very careful and selective when deciding to get that tattoo in the first place.
source : foot-tattoo
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